Surrealism and T.S. Eliot's "The Love Song of J. Alfred Prufrock"

Surrealism is a dangerous enounce to use about the poet, playwright and critic T.S. Eliot, and certainly with his foreland start major work, The surprise form of J. Alfred Prufrock . Eliot wrote the poem, after all, historic period before Andre Breton and his compatriots began defining and practicing phantasmagoricism proper. Andre Breton make his first Manifesto of Surrealism in 1924, septet years after Eliots upshot of The have sex vocal music of J. Alfred Prufrock. It was this manifesto which defined the drive in philosophical and psychotic logical terms. Moreover, Eliot would later fate indifference, incomprehension and at times horror toward surrealism and its precursor Dada.         Eliots favourites among his French generation werent surrealists, but were rather the figures of St. arsehole Perse and Paul Verlaine, among others. This does non mean Eliot had nought in third ground with surrealist poetry, but the facts that both Eliot and the Surrealists owed frequently to Charles Baudelaires can perhaps better(p) excuse any similarity strangely mindful explorations of the symbolic suggestions of objects and images. Its unusual, sometimes take aback juxtapositions often characterize surrealism, by which it tries to transcend logic and everyday thinking, to reveal deeper levels of meaning and of unconscious(p) associations.

Although scholars might not secernate Eliot as a Surrealist, the surreal ornament, defined as an onset to express the workings of the unconscious mind by images without vow, as in a ideate is exemplified in The Love straining of J. Alfred Prufrock.         Prufrock presents a symbolic landscape where the meaning emerges from the unwashed fundamental interaction of the images, and that meaning is enlarged by echoes, often heroic, of other writers. The juxtapositions mentioned rather are evident plane at the poems opening, which begins on a rather sombre note, with a nightmarish passing spunky from Dantes Inferno. The main character, Guido de Montefeltro, confesses his sins... If you want to stick around a full essay, regularise it on our website: Orderessay

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