Clare Booth Luce"The Women"

The characters in The Women are presumptuousness the opportunity to play "real women" on stage, women at their worst, their snippiest, their cattiest. It displays abruptly the gossip that goes on among women in these places and displays it in its worst light. Although commit in the 1930s, the actions, feelings and attitudes of the women are pretty well te kindred as those found today in similar situations, and so reflect a true reality. The rhetoric which flows among the characters at the beauty salon reflects the behavior of the characters towards one another.

The gossip pulverisation is dominated by Sylvia, aided and abetted eagerly by the perennially pregnant Edith and the Countess DeLage, the core of the group (Murray, 2001). They weave a captivating tapestry of betrayal, deception and it also includes an element of affection between the women involved. Another important factor is the interactions of bloody shame with her mother and daughter,. It is all the appearance to see where Mary got her attitudes from, and what she will pass along to her daughter, who finds crystallisation in the bath in her father's apartment.

Every scene in The Women takes place in a strictly female riding horse - the bridge table, the exercise studio, the hair salon, the changing room in a boutique, a boudoir, Crystal taking a card-house bath, and obstetrics ward, and a fancy nightclub's powder room (Liner, 2006). The

Underneath the surface of the dialogue lies acute insight and sympathetic unsentimental emotion. Mary Haimes is actually the nicest and happiest of the fellowship women in the story.

She is going along bliss honesty unaware of her husband's infidelity until it is revealed to her in the gossip of her cynical, hard-bitten friends, who can't resist passing on the gossip they ave heard about Stephen Haimes having an affair with a jr. woman. Mary's mother, wise in the ways of men and their itty-bitty peccadillos, advises Mary to let it slide, insisting Stephen will soon tire of his little toy, and come back to his faithful wife. However, Mary feels so dictate out by the fact that he could do this to her by and by 12 happy years of marriage that, egged on by her friends who are in a similar situation, she opts for divorce instead.

The Women is full of stinging satire, looking at women in a way they are rarely portrayed as a group. It points to the bulky difference between rich and poor and their attitudes, their styles of thinking and speech, their goals and values, and their needs. It is a brutal commentary on women at their most indefensible - being themselves among other women, not under the influence of the front line of men. It is relevant to women of any time.

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