Research on The Sound & The Fury and Beloved

One clue is in the title, derived from the passage in Macbeth that describes life in terms of its forward motion toward ghostly status, "but a walking shadow, a unretentive player / That struts and frets his hour upon the stage / And then is heard no to a greater extent: it is a tale / Told by an half-wit, full of vocalise and fury, / Signifying no affaire.(Macbeth, V.vi). The Compsons, who are the subject of The Sound and the Fury, are obsessed independently and collectively, within the family circle and with reference to the family circle's place in Yoknapatawpha county. The unblemished novel begins as a tale told by the family idiot Benjy and continues as characters alternately fret (Benjy, Quentin, Mrs. Compson) and strut (Jason, Caddy) through life, or are so to speak heard no more (Caddy), never resolving the family's past and therefore continually haunted by it, continually attached to it, and at the kindred cartridge holder continually seeking a way out of it. Dilsey, their sear maid, counters the family's dangerous poison and offers a steady presence that absorbs the ghosts of the Compsons' thrall past and offers hope for the future. How this is worked out in the novel dirty dog be seen with reference to the shape that the ghosts assume for those who are haunted.

As a family, the Compsons haunted by the collective memory of the cultivated War in the South. The Compsons affirm an anachronistic attachment to nonmodern land in the midst of modernizing and industrializing 20th-century America.

The point is that Caddy's capacity for love is every where frustrated and strangled at home. Her leaving the house can be charter at once as the result of alienation and as escape, pure and simple, to some place Other, where love can be expressed. The fact that she is haunted by the vacuum of family experience explains why the manifestation of her expression of love is as a Nazi's mistress. On the other hand, it is possible to infer that she understood that the worst thing she could do for her daughter Quentin and the rest of the family is live in the same house with them. The Jefferson librarian's interpretation of Caddy's being photographed with a German officer ("We must save her!

") raises the possibility that Caddy, too, and not just Benjy or Quentin, may be having the experiences of intense, unspeakable hauntedness. She may shudder out front the silence of the universe, even though she is thousands of miles away from Mississippi.

This is the terror of loneliness in the face of the haunting demon. It is also self-absorption, for Mrs. Compson lacks the maternal whiz that could be the emotional anchor of a family. Quentin pines for a induce he has never had, so that he could go to her for comfort. How she managed to keep four children in the first place is something of a puzzle, for she has been deceitfulness in bed, dying of the same vague disease for cardinal years by the time The Sound and the Fury begins. A lady of quality, she seems to represent every feigning of the genteel and hypocritical South. Whatever the inconvenience or emotional cost to her family, let will keep up appearances, keep up the pretense of a social norm, insisting that the family--even Benjy--collaborate in the pretense of normality. She suppresses Caddy's nurturing replete(predicate) toward Benjy, in a mask of social pretense.

"What reason did Quentin have? Under God's heaven what reason did he have? It careen be simply to flout and hurt me. Whoever God is, He would not permit that. I'm a lady. You migh
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